L'Année des Guignols - Je peux dire une connerie ?

L'Année des Guignols - Du cul, du cul, du cul !

Flow

Flow

A turbulent day in a life, painted by air.

Consecration

After the alleged suicide of her priest brother, Grace travels to the remote Scottish convent where he fell to his death. Distrusting the Church's account, she uncovers murder, sacrilege and a disturbing truth about herself.

RR

Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.

Gunner

While on a camping trip in order to reconnect, war veteran Colonel Lee Gunner must save his two sons from a gang of violent bikers when they're kidnapped after accidentally stumbling upon to a massive drug operation.

12

not there yet

Daybreak in Udi

An African tribe in the Eastern Nigerian village of Umana work to build a maternity hospital, with the aid of government officials, and against the opposition of some tribal members.

Flow

A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.

way

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

1

A bookshop renowned for its rare works is mysteriously and filled with copies of a book entitled 1, which doesn't appear to have a publisher or author. The strange almanac describes what happens to humanity in a minute. A police investigation begins and the bookshop staff are placed in solitary confinement by the Bureau for Paranormal Research. As the investigation progresses, the situation becomes more complex and the book becomes increasingly well-known, raising numerous controversies. Plagued by doubts, the protagonist has to face facts: reality only exists in the imagination of individuals.

Ama Gloria

Cleo is six years old, has a myopic look and has been madly in love with Gloria, her nanny, since she was born. When Gloria receives a call and must urgently return to her home in Cape Verde to care for her two children, whom she has not raised, Cleo makes her promise to meet one last time. Gloria accepts and invites Cleo to spend the summer vacations on her island. A last summer that they will spend together, in Gloria’s family, before inevitably saying goodbye.