Known for Acting
Comedian Sérgio Mallandro is going through a bad phase in his life. Money is getting tighter and tighter, and he even tries to work as a ride-hailing driver, but he can't because, even in disguise, he always ends up being recognized by his passengers. Then an opportunity arises to return to television, but the comedian ends up in trouble and can no longer say any of his famous catchphrases. Mallandro now needs to reinvent himself to get one last chance at his artistic career.
Everything changes in Fani's life when the opportunity arises to do an exchange program and live in another country for a year. The revealing conversations by phone or MSN and the constant notes during the class turn to another subject: the upcoming trip.
Two women, long-time friends, embark on a love story. They are writers who do not write to publish but for themselves. Their mutual conversation, their desires, the risks and phantoms of existence, the privilege of the wounded and of condemnation, traverse their speech, are a confession.
The life story of Claudinho e Buchecha, greatest icons and most successful duo of the Brazilian funk melody in all time, showing how the rhythm and poetry of the periphery conquered Brazil.
When Suzano assumes the role of police chief at a new precinct, the timid newbie will have to prove his mettle to his fearless squad.
“If you had to choose between me and your mother, who would it be?” Capitu asks provocatively of her problematic lover. Elsewhere, they dance to inaudible music with their friends, each couple keeping to a rhythm of their own. At times, this depiction of the memories we see one Dom Casmurro commit to paper with a flamboyant pen seems to be an interplay of conflicting emotions – particularly when jealousy raises its head. Adapted from the Brazilian classic novel 'Dom Casmurro' (1899) by Machado de Assis as an ironic/philosophical essay on poetry and jealousy, and featuring fragments of Bressane’s previous works.
For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!
The story of an enmity that spans decades. Waging a war without truce, the neighbors go to the last consequences to make each other's lives miserable.
The film is a rendition of Resurrection, Tolstoy’s last novel. It begins with a reading of the beginning of the first part in Naples, in September 2012. It moves on to Berlin, Locarno 2013, Oneglia, Paris, Casalborgone, and it ends in Milan with the beginning of the second part. The places and times change, and so do the people doing the reading. But also, in the middle, real people and voices surface, like Adamo Vergine at his home and Jean François Neplaz in Marseilles. The film searches for the possible faces of Tolstoy’s two protagonists in Oneglia, Procida, and Casalborgone.
The story of José Abelardo Barbosa, narrated from the time of his youth, when he was at medical school, and dropped everything to become a radio announcer. After that, we follow the transformation of his life and the creation of his alter ego, Chacrinha.
Inside a chaotic emergency room in Rio de Janeiro, a team of doctors are torn between their internal personal conflicts, the difficulties of the profession and the surprising dramas behind each patient‘s history, in a heroic attempt to save lives...See more
