Adolfo Marsillach

La extraña pareja: Pajares y Esteso

The Long Winter

In 1939, Ramón was a young man, caught up in his Barcelona family's involvement on the Republic side in the brutal Spanish Civil War. He and his family fled into exile ahead of Franco's troops. Now it is many years later, and he has come back to see how his old homestead fared in the intervening years. The only person he can find who is able to remember those years clearly is his family's old butler Claudio.

Imágenes perdidas

Spanish documentary series.

La seducción del caos

Esquilache

In the 18th century in Madrid, the Marquess of Esquilache, King Charles III of Spain's former minister, bans on wearing the popular wide collar with a long coat and brimmed hat. Along with other measures provoke a massive riot in the city.

Love Ravings

In this anthology film, a female actor cheats on her formerly famous husband, a married couple go to extremes, and an antiquarian falls for a young man.

The Heifer

During the Spanish Civil War a platoon of mismatched Republican soldiers cross the front-line to steal the bull that the enemy is going to fight on the local holiday of the nearby village. In addition to ruining the Nationalist faction's celebration they want the animal in order to butcher it and feed their famished troops. They get caught in the process and have to go through a series of funny and pathetic incidents before they can get back to their side.

Double Feature

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

Ramon y Cajal

El poderoso influjo de la luna

The film is an image of the Spanish society in form of various anecdotes which happen to the inhabitants and their neighbours of a finca in Madrid.

At the Service of Spanish Womanhood

A sexually dissatisfied woman is confronted with a man who is the victim of a puritanic education.

The Burned City

The film depicts ten years of Catalan history, from 1899 with the defeat of the Spanish side in the Cuban War of Independence to the Tragic Week 1909.