Known for Acting
On Chen Ah Shui's wedding night, his bride was kidnapped by a jiaoren, the merpeople from Chinese mythology who produce pearls from tears. He promises the village chief to capture one alive. He sets sail to a small island in the South China Sea and finds out the true reason for the jiaoren's violence toward humans.
A Taipei doctor and a San Francisco engineer swap homes in a daring pact, embarking on journeys filled with trials, secrets and unexpected encounters.
Bong-tshio is your ordinary countryside grandma, raising four kids in an impoverished environment; however, the kids that grew up and started their own families do not respect her, fostering her in turns for one month, while bargaining with each other about the number of days in different months. But the optimistic Bong-tshio always just laughed it off. Until one day, she got lost and wandered into a police station, and then accidentally won the top prize of the lottery. Her children began to look for her desperately, rushing back to their old place in the countryside, and kicked off a ridiculous competition of filial piety.
9th century China. Ten year old general’s daughter Nie Yinniang is abducted by a nun who initiates her into the martial arts, transforming her into an exceptional assassin charged with eliminating cruel and corrupt local governors. One day, having failed in a task, she is sent back by her mistress to the land of her birth, with orders to kill the man to whom she was promised – a cousin who now leads the largest military region in North China. After 13 years of exile, the young woman must confront her parents, her memories and her long-repressed feelings.
10+10 is a project initiated by the Taipei Golden Horse Film Festival to demonstrate the solidarity between Taiwanese film-makers. 20 directors are invited to make a 5-minute short film each on the theme of the “Uniqueness of Taiwan,” but allowed total freedom in all other aspects.
A tale of two islands and growing up as a stranger in a strange land, told with an artistry that recalls Hou Hsiao-Hsien at his best. Based on Ryunosuke Akutagawa’s short story of the same title (1922), Kawaguchi’s film moves the original early 20th-century Izu Peninsula to present-day Taiwan, where the strength of family ties is singularly put to the test. Yumiko (Machiko Ono), who married against her parents' wishes, has struggled on in stubborn determination since her husband’s death, moving her family from their Tokyo home to the verdant, rural Taiwan village of her in-laws. Her son Atsushi, strongly conscious that in ethnocentric Japan he is "different," is in a state of rebellion against both the society in which he has grown up and his mother. In their new home the family rediscovers the bonds that unite it.
Color blind girl A-Kuei feels alienated and misunderstood. She is raised by her grandmother who would rather believe she is possessed than hear her feelings. The only person in the village who understands her is her bookworm cousin A-Hsien. He tells her that there is an island far away in the South Pacific where everyone is also color blind due to a genetic mutation.
More than just naughty, they play tricks on classmates, tease girls at school, fight with other boys, and lie to everyone until their teacher breaks down. They are named Liar No. 1 and Liar No. 2. The most important act planned in their life is to go to the mysterious water park, where they can leap through the portal at the end of the water slide to the fairy-tale world OZ and live as grown-ups happily ever after. However, the commitment is torn by a careless betrayal.
In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.
Cop Abula arrests a pregnant illegal immigrant, Xiao Qing, who came from mainland China to look for the father of her baby. Upon arrest, Xiao Qing gives birth to a baby girl in the police station, causing disorder in the place. Abula takes care of her and even helps to search for the father. On the other hand, Abula has to face other worries, like the problem between him and his son, Ah Yi. In addition, there is the Mafia who makes life difficult for Abula as he refuses to accept bribery. In the end, Abula resorts to the improper way of solving the problem, resulting in a hilarious ending to the story.
An actress preparing to play in a historical epic is terrorized by someone faxing her pages from her stolen diary; has colorful flashbacks of her affair with a now-deceased man; and imagines black-and-white film-within-a-film scenes of the movie she is about to appear in.
