Known for Acting
It’s Aleksandras’ first day at his new workplace, where the office turns out to be a suicide helpline center once a man his age calls to share his wish to end his life, revealing an interconnection of destinies which unexpectedly changes both men’s lives forever.
When Titus is not given a gift at his potential father-in-law's birthday party, his evasiveness is perceived by the girl's parents as a timid attempt to woo their daughter. Everything would be fine, but Tito, who is currently living in London, is waiting for his wife Marta in Lithuania. In order to get a secret divorce, Tito returns to Lithuania, but a meeting between Tito and Marta takes things in an unexpected direction.
It is highly probable that before their own death, everyone has to organise someone else’s funeral. This is by far not an easy task. In addition to the searing grief, dying also brings a number of tasks that are at once utterly alien and intensely time-critical. The main character of this film, Dovile, who unexpectedly has to bury her father, has to face the bedlam of exactly such a challenge. Overnight, the young girl has to become a skilful organiser of a family event, while also being a specialist on coffins, urns, wreaths and funeral feasts. Dovile’s journey towards organising a perfect funeral is inevitably full of hardship and mishaps, accompanied mainly by black humour and comical situations.
When Marija learns that her unstable boyfriend has disappeared, she takes to the streets in an attempt to find him.
Two middle-aged people are going on a date in a secret place by the river.
A blue screen informs that war has begun. What will be needed? Collect the men, find guns, or maybe someone will give them. We need a location, a country where the war would take place. No problem, the Colonel is a real pro, he has caused wars to order, or on orders, on multiple occasions in different countries. Now his followers have grown up and caused a war in his country. He doesn’t want to, but he has to fight. He is old and tired of war. He wants to be at the table with a steaming pot of tasty mutton ribs and stare at an innocent TV screen with the news on, and the dressed-up news reporter announces that the war has begun.
Kaunas, Lithuania, 1941, Lithuanian activist Andrius Gluosnis kills a Jew Isaac in Lietukio garage massacre. Years after the incident Gluosnis is haunted by the guilt.
Einar and Kasparas are brothers, similar, but still very different people. They did not see each other for all eternity, though their house was separated by the river. Everyday they watch each other from afar, know when anyone is burning the oven, going to bed and so on.
Shortly after the fall of the iron curtain, 12-year-old Kovas, travels to his mother, Viktorija’s homeland for the first time. It has been 20 years since Viktorija escaped the USSR and has now returned to reclaim her beloved family estate.
This is a story about one of the most talented Lithuanian filmmaker Algimantas Puipa and his brother Audrius Puipa, who lived briefly, but left exclusively original paintings. Twenty years ago, the death of Algimantas brother have became his biggest loss, which he is still going through today. At the moment, Lithuanian cinemas are playing Algimantas Puipa's latest feature film-drama about two other brothers, overwhelmed with mutual revenge, and anticipating each other's death. This agonizing opposition will be an axis of the documentary called Tulip Field - spinning the polyphony of love and hatred, good and evil.
A twenty year old still lives with his loving mother, but one of his ordinary days takes an unexpected turn.
Lithuania in the near future. The land is full of rich immigrants. Rich Lithuanians that were scattered throughout the world return to Lithuania to spend their golden years in luxurious nursing homes; and the laws that govern life and death provide a feeling of security... The residents of the Garden of Eden look upon this "global theatre of life" with tearful smiles and great wisdom.
