Known for Acting
Servet the accountant makes a plan to steal money from a client. He decides to get his brother-in-law Gökhan involved to use his account for the money transfer. When two more friends Meatball Necmi and Del Piero are added to the plan, things start going bad.
Gece Gündüz was a police procedural soap produced by the Altıoklar Productions, the main characters are Aslan Aydemir and Kemal. They both work at the Istanbul Organized Crime section of the police force. The series finished on its 33rd episode. The theme song is an edited version of "Gündüz Gece" by Âşık Veysel Şatıroğlu who is also named "Uzun Ince bir Yoldayım" which was a famous Turkish folk music and Veysel was the famous one for this song.
Cem and Ali, two buddies, find themselves in the middle of a mafia showdown at a party where they are DJing. Not knowing what to do, the pair try to escape by putting on women's clothes they find in the costume room. But a perverted member of the mafia takes them to a resort and holds them captive, and the pair suddenly find themselves working as entertainers at a hotel. During their first attempt to escape the hotel, they see 20 girls who have come to the hotel for a beauty pageant and are stunned. They don't want to leave this paradise-like environment. But flirting with girls and living as women is difficult. Even when they try to escape from the hotel a second time, the duo, who have fallen in love with Cansu and Ebru from the TV crew, stay at the hotel. Meanwhile, the mafia also arrives at the hotel.
The paths of Resul, a blind sculptor who served time for murder; Kader, a famous actress; Fazıl Bir, a deranged director who turned into a human bomb in order to force Kader to star in his film; Güngör, a hard-working classical musician; and Muhtar, Güngör's incompetent manager who caused him to become a loser, intersect at a French restaurant called Le Chic , and within 15 minutes, a series of extraordinary events unfold and come to a head.
In an apartment building where neighbors, friends, and family are living in close quarters, three male protagonists encounter three phases of manhood in Turkish society. Directors Reha Erdem's light touch and slyly amusing style do not miss the opportunity to illuminate some serious points in a strictly patriarchal society.
