Known for Acting
There is a poor farmer couple. The landowner, an old man, covetous of the tenant's wife, tries to seduce her and sometimes threatens her. The wife spends every night with the old man at the water mill. Her husband, hearing the news, runs to the water mill and witnesses them together. He picks up the sickle that was placed near and kills his wife. The landowner escapes and the farmer gets arrested by a Japanese policeman.
His parents captured by the Baekje armies, prince Eo-jin infiltrates the enemy castle alone to seek revenge. His plot is ruined when he falls in love with a princess there and is forced to choose between betraying his parents and nation or the woman he loves.
Jinsa Maeng's daughter is contracted to marry a nobleman's son, however, Jinsa Maeng is upset when he hears about a rumor that the fiance of his daughter is lame. Finally, he decides to take on the idea of arranging his maid to take his daughter's place in the wedding.
Kind-hearted country bumpkin O-bok leads a simple life working as a long-time farmhand for the rich landlord Soon-young. When Soon-young discovers that his son Jae-seok has fallen for local girl Soon-yi, he protests the relationship and arranges for Soon-yi to be wed to O-bok instead. Despite the initial heartbreak, Soon-yi grows fond of O-bok over time and they have a daughter together named Sook-hee. However, when Jae-seok returns into Soon-yi’s life, she cannot resist his charms and runs away with him, leaving Jae-seok to raise Sook-hee on his own. Years later, Sook-hee is now a grown woman working in the city and in close contact with her father. However, a series of coincidences threaten to forcibly reunite O-bok and Sook-hee with Jae-seok and Soon-young in the most dramatic way possible.
A young sailor arrives in Busan Harbour; an outrageous-looking, woolly bear of a man appears in downtown Busan with a shotgun over one shoulder, a heavy knapsack thrown over the other; a tough-looking young woman joins her friend in robbing a naïve fat man in a suit. The strands of character and story will slowly converge, well after the audience, tuned to the coincidences and mistaken identities of melodrama, has recognised that these three have a shared history and are fated to meet and reconcile.
A man tries to raise his two sons and two daughters under some of the most adverse conditions known to man. The father operates a horse-drawn cart, but in a city that is modernizing after the destruction of the Korean War, automobiles are making carts obsolete. The children are experiencing difficulties as well. The eldest son has flunked the bar exam twice and is not hopeful of passing it a third time to become a lawyer. The eldest daughter is mute and married to an abusive husband. The younger daughter tries to pose as a rich university student to move up in life. The youngest son has a penchant for petty theft.
This melodrama follows the trials and tribulations of a single mother who dares to love. Hyun Hee (Mun Jeong Suk) makes a living running a coffee house. She has to support her illegitimate daughter and mother, and bear the scorn of those who look down on her. Hyun Hee falls in love with a married writer (Kim Jin Kyu), while another customer (Choi Mu Ryong) holds a torch for her. The romantic triangles that unfold lead to tragic consequences.
Mr. Park raises his children by repairing charcoal pits. Although ignorant and stubborn, Mr. Park has a good heart. He is displeased, however, with his eldest daughter, Yong-sun (Jo Mi-ryeong), because of her close relationship with Jae-cheon (Hwang hae), who is a scamp in his eyes. He is also unsatisfied with his second daughter, Myeong-sun (Eom Aeng-ran), for liking Ju-sik (Bang Su-il). Only his eldest son, Yong-beom (Kim Jin-gyu), is the apple of his eye, as he approves of his son's wife, Jeom-rye (Kim Hye-jeong). When Yong-beom is sent to a foreign branch office, Mr. Park is against it at first but approves of it, as he knows what it means for his son's future. Eventually, too, he begins to approve of his two daughters' relationships.
