Known for Acting
Jing’s day begins with a graceful tracking shot that follows her from the early morning as she pumps breast milk, leaves her baby with her mother-in-law, and heads to the bakery where she works. Her baby daughter Qing is difficult and cries constantly and Jing frequently clashes with her live-in in-laws over childcare and housework, while her husband, who works as a delivery driver, views parenting as something he occasionally helps with. All she did was have a child, yet Jing’s life is turned upside down, leaving her in a situation where all her efforts to build her career have been negated. Director Oliver Siu Kuen Chan meticulously dissects Jing’s struggles, revealing the emotional turbulence she endures. The film’s realistic and precise narrative depicts the suffocating oppression women suffer within both family and society, the pressures of ‘being a mother’ and ‘motherhood,’ and resolutely move forward, forcing Jing to make a final decision.
Hong Kong’s historic first radiation disaster blockbuster! After a fire accident triggers a radiation leakage, the entire city suddenly finds its survival hanging by a thread. In order to tackle the impending catastrophe, expert Simon Fan joins the emergency crisis response team led by Acting Chief Executive Cecilia to tackle this catastrophic disaster. With the lives of 7 million people on the line, the fire brigade is tasked with stopping the spread at all costs by entering the radiation zone. Facing this unprecedented calamity, will Hong Kong wake up to an overnight annihilation?
Three phone calls and three long shots connecting three seemingly unrelated characters, probing into the untold hardship of ordinary hustlers in the world’s most expensive city, Hong Kong, as her charm slowly fades.
When her partner Pat unexpectedly dies, Angie is left to worry about the flat in which the couple lived together for over 30 years. Supported by her chosen family, Angie begins a later-life journey into emancipation.
Everyphone Everywhere’s cross-cutting narrative brings together a large set of players within the mobile-communications theme. First there’s designer Chung Chit (Endy Chow), who rushes to catch a ferry and leaves his phone at home. There’s no time to retrieve the device, so he tries to soldier on without it – and the results are eye-opening. Eventually, he’ll need to call his wife Ivy (Cecilia Choi) to awkwardly help him out. Meanwhile, soon-to-emigrate middle manager Raymond Ho (Peter Chan) starts his day with his WhatsApp account hacked and frozen. Broken contacts aside, his big fear is exposure of shady workplace practices and possible blackmail or arrest. Then there’s Ana (Rosa Maria Velasco), an old classmate of theirs who’s waiting in a private kitchen and getting odd messages. And all the time a young lady, Yanki (Amy Tang), and a nerdy computer wiz (Henick Chou) are busy using messaging apps for sleazy purposes.
Set in Norway, Lykke Til is a story about struggling in a foreign land. Ann, who has moved to Norway, is facing obstacles on multiple fronts: visa, employment, cultural differences, racism and an unexpected pregnancy, which puts her relationship with her girlfriend in jeopardy, another secret hovering over the already strained relationship with her mother. Instead of trying to simply stay afloat, the worst person in the world now has to make a decision and reclaim her life. The director who also writes the script and plays the main role expresses through the short her own experience as a Chinese diaspora and creative talent living in Europe.
A confrontation between two Hong Kong immigrants – one a cab driver from Mainland China, the other a lawyer and refugee from Pakistan – spells disaster for their families, especially the lawyer's young son.
During the COVID-19 pandemic, an owner of a cleaning company meets a young mother and her daughter. Would their encounter save each other during the recession of Hong Kong's economy?
Adapted from a sensational real-life case in 2013, the intricate story begins when a young man partners with his friend to murder and dismember his parents. Pleading not guilty, the defense attorneys soon turn on each other, as the defendants play the devil and idiot game. Meanwhile, heated debates emerge inside the jury room, where nine jurors grapple with the truth.
At first glance, Grandma MUI and Uncle CHEUNG look just like another ordinary elderly couple loitering outside a school wall. Grandma MUI is suffering from Alzheimer’s disease and her conditions deteriorate notably after the death of her granddaughter Ka-ching from a fall off the school building, with the school officials suspected of negligence and being dishonest in their testimony. Stricken by grief, Grandma MUI’s mind falls into complete chaos as memories, delusions and reality mesh together. Uncle CHEUNG, indirectly connected to Ka-ching’s death, lacks the courage to tell the truth. As an act of atonement, he takes care of Grandma MUI even when the future looks bleak…
The fairy tale of childhood is that our lives will follow an ideal trajectory. Destiny decides otherwise for Wing-Kai who becomes bedridden, paralysed from the neck down after a car accident. The monotonous hospital life depresses the young man. Years later, he meets a young girl who is caring for her boyfriend in vegetative state, believing that her love will wake him up eventually. Wing-Kai ridicules her innocent optimism. When the young man recovers miraculously, hope reawakens in Wing-Kai who begins rehabilitation training with great fervour. However, time passes and everything remains the same. Sinking into even deeper despair, Wing-Kai tries to regain control over his own destiny……
