Known for Acting
In the 1600s, an overzealous clergy hauls innocent women in front of tribunals, forces them to confess to imaginary witchery, and engages in brutal torture and persecution of their subjects.
Detective Lieutenant Boruvka (Lubomír Lipský) is called to the State Scientific Library to investigate the loss of a precious manuscript, the Infernal Psalter of the Occult Sciences by Master Peregrinus from the eleventh century, written in a secret script which has only recently been deciphered by senior lecturer Zajíc (Josef Chvalina). Chaos is reigning in the labyrinth of passages and halls of the former monastery where the library is housed. In order to save space the director of the library has introduced a peculiar system. The books are arranged in the bookcases according to height and six girls dressed in black, the library assistants, are quite happy to cut volumes down to size in case of need. Boruvka refuses the case, since he is specialist in murders. He has to return to the investigation, however, when senior lecturer Zajíc disappears.
In the forest near the village of Drahovice, a nurse from the local health center is found murdered. Three months ago, another young woman died nearby and a sexual motive was proved in the case of her murder. In the case of the nurse, the motives are not so clear. Two criminologists from Prague - Major Kalas (Rudolf Hrusínský) and Lieutenant Varga (Radoslav Brzobohatý) - patiently collect all available leads and question the villagers.
Young couple Eva and Jarda Tům face housing shortages just as Eva miraculously gives birth to quintuplets, drawing intense media and state attention. Authorities install them in a high-tech villa monitored by a commission led by Drahoslav Svitáček. As intrusive experiments, constant scrutiny, and malfunctioning gadgets strain their family life, a planned railway project momentarily frees them. Eva conceives again, but when only one baby arrives amid fading public interest, the state and the spotlight move on.
Wandering through the forest, a woodcutter finds a golden fern whose seed turns into a beautiful woman - they fall in love. After getting drunk in a village feast, he gets to sign up to the army. The fairy gives him a shirt to wear and asks him to swear he will never abandon it. At the war front, he falls in love with the the colonel's daughter and will have to perform various feats to get her attention.
Based on a novel by Maria Majerova, this well-photographed but routine romantic drama is directed and co-scripted by Vaclav Krska. Set in a more old-fashioned time, the story centers around Lenka (Suzana Fisarskova), a young woman with a domineering, psychologically abusive father. When Lenka falls in love she suffers the ultimate injustice when her father and her family forbid her to marry the man. They see no advantage in such a union and want her to marry a wealthy local landowner instead, for obvious reasons. But Lenka is not as submissive as they think and she runs away to the city to look for the man she loves -- only to find a serious problem, though a surmountable one, is waiting for her.
An anthology of three absurd, ironic tales inspired by Čapek’s “Tales from One Pocket” and “Fables and Side Stories,” each showing uncanny forces disrupting ordinary lives: in Krejčík’s “Glorie,” a gentle clerk is haunted by a sudden halo; the other two segments by Mach and Makovec similarly blend everyday routines with ironic, supernatural twists.
The title of this highly-regarded Czech drama translates as Wolf Trap. Set in the 1920s, the story revolves around an ambitious young provincial politician (Miroslav Dolozai) who enters into a marriage of convenience with a smotheringly possessive -- and much older -- woman (Jirina Sejbavola). Hoping to temporarily escape his overbearing wife's clutches, the husband strikes up a friendship with her young ward (Jana Brejchova). The relationship blossoms into a deep abiding love, but the jellyfish husband can't bring himself to declare his ardor to the girl. Even after the death of the wife, the husband hasn't the intestinal fortitude to admit his passion, and the results are bleak indeed for the unfortunate ward. Director Jiri Weiss does a masterful job staging his story of frustration and denial against a backdrop of post-WWI bourgeois banality.
