Known for Acting
A Sentimental Capitalism is a tragicomic tale on the extension of economic logic to art and love. The film chronicles the apprenticeship of Fernande Bouvier, a naive country girl, who, traveling from Paris to New York in 1929, from avant-garde Bohemia to the narrow circles of high finance, will loose a few illusions.
REDISCOVER the best moments of: Bob Binette, Jacques Chevalier Longueuil, Raymond Beaudoin, Ginet Robidoux, Dave Ash, Ludger, Corporal St-Gelais, Chose, Yasser Arafat (Québec version). LES BLEU POUDRE on Taquinons la planète was: disobedience (they got kicked in the balls), indecency (they walked around naked), recklessness (they went to chat with the Mohawks), and mischievousness (they loved new rhymes). LES BLEU POUDRE was also politically very incorrect — and damn, it felt good. ENJOY IT WHILE IT NO LONGER EXISTS.
A psychotic man and an obsessed police officer make life unbearable for an unlucky actor by making him the scapegoat for a string of kidnappings.
It all begins when Lucien Lachenay (André Dussollier), famous builder of the moving sidewalk for the 1900 Universal Exhibition, saves the life of the beautiful Alice Avellano (Kristin Scott Thomas), whom her husband, who has gone mad, was trying to strangle. Lucien Lachenay is himself threatened by a group of anarchists who have instructed a young worker, Alphonse (Benno Fürmann), to suppress him. Alphonse messes up the job, but Lucien, impressed by his inexhaustible energy and thirst for knowledge, agrees to be his mentor instead of handing him over to the police. In the years that follow, Lucien, Alphonse, Alice and the young and attractive Laure (Isabelle Carré) will face the game of rivalry, betrayal and reconciliation.
A novelist finds herself in an auction where two statuettes are up for sale: "The Mozambique Dancers". According to the legend, the one who owns both statues becomes infinitely rich but the one who owns only one of the two pieces is cursed forever...
A delightfully classic French comedy of high sophistication and light hearted wit, that in the end suffers for it. This is immensely watchable simply for the presence of Maria De Medeiros, the central two of the film are captivating. What spoils it is the stereotypical and under developed second characters and an overly wistful outlook. But I defy any man watching this film not to fall madly for Aimee and everyone will cherish the scenes between Aimee and Maurice.
After two boys are found dead and scalped in a remote cabin, a corrupt police chief puts the blame on an innocent indigenous man. Charlie Miton, who left this town a decade ago and never thought he'd come back, returns to help clear the name of his friend and find the truth.
A young inspector from the Ministry of Culture has to replace at short notice a theater actor who has broken his leg.
Despite being busy with his profession of soldiery, Brantome manages to find much more time for amorous dalliances with the ladies of the 16th-century French court than for battles. Unfortunately for him, his true love, Victoire, is beyond his reach most of the time. He more than compensates for this in the arms of others.
