Known for Acting
Désiré Landru - husband, lover - and murderer. Based on documented facts, this is the full story of one of the most ambiguous criminals and lovers of the 20th century, the first modern serial killer.
Louise, who has just written a novel, comes to Paris to meet with a potential publisher. While in the city, she stays with her older sister, Martine, who in many ways is the exact opposite of Louise: she lives in a fashionable neighborhood, is cold to others, and has snobby friends, while Louise lives in a small town and is thoroughly unpretentious. Louise's apparent happiness -- and similarities to their mother -- gradually gets on Martine's nerves.
Fred Astaire-fan Clément invites comic-book artist Luc to Sunday dinner with Clément and his wife Violette. Luc's girlfriend Margot announces her pregnancy, prompting Luc to forget about the invitation, but Clément insists that Luc join him. After Luc arrives and sees that Violette is only a life-size plastic doll, he decides to leave but gets clobbered on the head. Awakening, he finds he's been handcuffed to the bathroom sink and gagged. Cruelties ensue, with crazed Clément getting visionary advice from both Astaire and Violette.
In Paris, near the end of World War II, crotchety professor Fernand Bonnard maintains a zoo and continues his research. He's a coward, as is his debonair son, Armand, who has one daughter, Philippine. On her eighth birthday, Armand picks her up from her repressive boarding school and takes her to Fernand's to celebrate. Father and son quarrel, and Armand leaves, only to be arrested and shot for violating curfew. In grief, the curmudgeonly Fernand does not tell Philippine, but invents a life for Armand as a captain of the Resistance. Fernand takes her from school to live with him and his sensible wife. Along the way, Philippine finds out the truth and Fernand discovers courage.
When the daughter of the miserly cooper Grandet is up for marriage, both families Des Grassins and Cruchot want to marry their sons to her and her substantial dowry. But the girl shows more interest in the impoverished cousin, whom she entrusts her entire fortune to.
Antoine, 11, is on holiday with his grandfather. One night he catches thieves hiding their booty in a pond. Antoine seizes the 40 million. But Liza, his new friend, is the daughter of one of the criminals. Both children soon face threats.
Brothers Martin and Simon, not yet teens, are incorrigible vandals; Martin runs away from reform school, Simon from foster homes, and they always find each other in a seacoast town of Lignan, where their destructive behavior is infamous. (It may date to their mother's leaving the family.) Martin is philosophical, romantic, and poetic: he dreams of being the son of a shark; he holds tight to a book about goldfish his mother gave him. In both halting and wild ways, he tries to court Marie, a neighbor girl. Simon, with a pocketknife and an intractable will, seems more dangerous to others. What, on earth, is there for these children-becoming-men?
Monique Zimmer, in her sixties, killed her lover, Oscar Foulard, cut up the body of the corpse, and is now walking with a suitcase containing Oscar's trunk. This one continues to speak, and comes to testify during the trial of his widow.
Photographer Maurice Martin turns into a woman named Héloïse every night at 8 p.m.
A César award nominated short comedy.
In a building on the Boulevard Haussmann in Paris lives ten-year-old Roger, who is surrounded by women - his great-grandmother, his grandmother, and his mother Nicole. Living in an exclusively feminine environment, the boy wishes more than anything else to have a masculine presence around. His dream comes true when he meets Jacques, who's madly in love with Nicole and who is about to completely turn the boy's life upside down.
