Known for Acting
Besieged by writer’s block and the crushing breakup with Tessa, Hardin travels to Portugal in search of a woman he wronged in the past – and to find himself. Hoping to win back Tessa, he realizes he needs to change his ways before he can make the ultimate commitment.
S.Ó.S.”, by Bruno Soares, “Céu Aberto ou Espaço Limitado”, by José António Loureiro, and “Para Cá do Marão”, by José Mazeda, are three short films, all first works by their directors , shown as if they were a single film. What they have in common is the fact that they deal with crimes. Bruno Soares' film, with Marco Costa, Joel Branco and Carmen Santos, deals with a robbery in Lisbon, with the owner of the house confusing the robber with his son. The one by José António Loureiro, with Joaquim Nicolau, is about a man who leaves prison and has difficulty adapting. Finally, José Mazeda's, with João Lagarto, focuses on a dispute in Trás-os-Montes between a local and a Galician.
Lucia of Fatima takes us back to the beginning of 20th century, allowing us to trace the whole journey of the girl behind the religious figure. During her childhood, the Fatima prophet was arrested, submitted to cruel interrogations, taken away from her family and denied the right to her own identity. Lucia resisted it all and kept her story alive. She was the guardian of the secret.
Michèle, in her fifties, is homeless and lives at Orly airport where she leads a hard and lonely life. Theo, a mentally handicapped young man, works at the airport and lives with his "Auntie" who has been overprotecting him since he was abandoned by his mother. When Michèle decides to find her son in Lisbon, Theo naively agrees to drive her there, but what she doesn't know is that he only has a car without a license... They then embark on an adventure on the country roads, making us follow people we don't look at, on roads we never take.
Amadeo: a mysteriously restless and indefatigable man as if always sensing brevity of the time he had left. An artist out of definition, whose painting questions the painting itself, indomitable, scandalous and misunderstood. For being «Infinitely» according Almada, is someone who never had the time within him. How many lives are there in Amadeo de Souza Cardoso’s brief life?
Vera, a single mother with two small children, is forced to have two jobs to survive after her children's father has disappeared. She works as a cashier at a supermarket by day and at night works in a strip club, trying not only to raise her children but also to pay off the debts that her ex-partner left her. Harassed in both jobs, one day she reacts violently when a nightclub client is more daring, being sentenced in court to perform community service in a nursing home, where her irreverence and youth will clash with the authoritarianism and inhumanity of the director. For the elderly who live in the nursing home, Vera is a breath of fresh air that little by little will change their lives, becoming the true home fairy…
Organized like a dream, structured like a musical and with texts, both spoken and sung, that lead us to unexpected, chaotic and exciting situations, which try to grasp part of what the unattainable Alexandre O'Neill left us.
Pedro is an enigmatic man with only one goal: to get Clara back, his first and only love. However, this meeting is almost impossible. Above all, because she is engaged to his brother Lourenço, the man who Pedro will save. And what will Lourenço do when he realizes that his savior may, after all, steal everything from him?
Hakim, 35, a friendly neighborhood cop, must infiltrate the Portuguese community for the purpose of an investigation. But can one become Portuguese in three days? Especially when we know that Hakim is a walking disaster at undercover operations. His clumsiness and bad luck turn his many infiltrations into cataclysms. The case is clearly too big for him. Quickly trapped between his feelings and his mission, Hakim, who lives alone with his mother, will discover a community, but also a family.
Clara and Vítor are two brothers with a troubled relationship, marked by disagreement about the direction to take in relation to the family relic. The relationship will be more shaken by the sudden appearance of an unexpected visitor called Luís.
In 1917, outside the parish of Fátima, Portugal, a 10-year-old girl and her two younger cousins witness multiple visitations of the Virgin Mary, who tells them that only prayer and suffering will bring an end to World War I. As secularist government officials and Church leaders try to force the children to recant their story, word of the sighting spreads across the country, inspiring religious pilgrims to flock to the site in hopes of witnessing a miracle..
