Known for Acting
French actress and singer.
Documentary on the singer Damia.
Paris, 1482. Today is the festival of the fools, taking place like each year in the square outside Cathedral Notre Dame. Among jugglers and other entertainers, Esmeralda, a sensuous gypsy, performs a bewitching dance in front of delighted spectators. From up in a tower of the cathedral, Frollo, an alchemist, gazes at her lustfully. Later in the night, Frollo orders Quasimodo, the deformed bell ringer and his faithful servant, to kidnap Esmeralda. But when the ugly freak comes close to her is touched by the young woman's beauty...
Goubbiah is a Yugoslav sponge fisherman. He loves Trinida, but she is promised to Peppo, the village drunkard. Jao tries to keep Goubbiah away from his daughter.
The story of the seven pearls of the English Crown, from Henry VIII to 1937 – three of them missing.
Willy Ferrière is a gambler living beyond his means, and his mistress is as greedy as he's dead broke. One day, he says out of loud in a a Montparnasse café that he would give 100,000 francs to get rid of his wealthy aunt so he could claim his inheritance. Someone secretly lets Willy know it's a deal. The old lady is murdered, and a low-life criminal is manipulated to be the perfect suspect. But Superintendant Maigret feels something is wrong.
Estelle de Pressendi, famous music-hall singer, was all the rage in the 1910s thanks to her two inseparable impresarios. Twenty years later, then on the verge of death, the singer wants to entrust her daughter Yvonne to them.
A prominent chanteuse on a world tour meets a young fellow European in Singapore, a soldier of fortune who becomes obsessed with listening to her voice on a recording.
A biopic of Napoleon Bonaparte, tracing the Corsican's career from his schooldays (where a snowball fight is staged like a military campaign) to his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797.
Loie Fuller, in her 1920 feature-length film Le Lys de la vie, […] explored the new technique for poetic ends, creating fleeting, dreamlike images that "freed" the medium from "illusionism" and imbued it with fantasy. A 17 minutes fragment is held at the Cinémathèque française.
