Known for Acting
When Jephthah, a biblical parable adapted from the Book of Judges, begins, the people of Israel are under the yoke of neighbouring nations which pillage and oppress them. Jephthah, destined to become their saviour, has grown up in the desert until becoming a powerful military leader. On leaving for battle, he swears to the god Jehovah that he will sacrifice the first person he meets on his way home. Alas, as he returns victorious, it is Iphis, his only daughter, who comes to meet him… Claus Guth directs this oratorio in which grief‑stricken voices interweave as they confront an apocalyptic situation.
Netia Jones stages a unique, beautiful performance of Curlew River at St Giles, Cripplegate, with musical director William Lacey.
The Seven Deadly Sins is satirical "ballet chanté" composed by Kurt Weill with lyrics by Bertolt Brecht written in 1933. The work critiques capitalism, weaves in popular music stylings of the era, and, through song and dance, tells a story of sin and revelation. The opera centers on the duality of the opera’s personae, Anna I and Anna II. She/They embark on a seven-city pursuit of the American dream. In turn, they uncover each of the seven deadly sins: pride, covetousness, lust, wrath, gluttony, envy, and sloth. Concert production at the Theaterakademie Mannheim, Germany.
Nikolaus Harnoncourt leads the Concentus Musicus Vienna and Arnold Schoenberg Choir in a concert of Bach music at Austria's Kloster Melk Benedictine Monastery. Works included in this celebration of the coming of Christmas are Cantata BWV 61, "Nun Komm, der Heiden Heiland"; Cantata BWV 147, "Herz und Mund"; and Magnificat in D Major BWV 243. Soloists are Christine Schafer, Anna Korondi, Bernarda Fink, Ian Bostridge, Christopher Maltman. With the Concentus Musicus Vienna and the Arnold Schoenberg Choir.
Combining a concert film with a making-of documentary, this presentation provides a dramatization of Franz Schubert's famed song cycle along with a unique look at the collaborative process in bringing the production to the screen. Tenor Ian Bostridge vocalizes the part of the wanderer from Wilhelm Müller's poems (on which the cycle is based), with Julius Drake accompanying him on piano and David Alden directing.
