Known for Acting
1780, a group of slaves flee from a sugar cane hacienda. As they are pursued by Don Manuel Aguirre, obsessed landowner who has fixed his eyes on Azu, the beautiful slave with an ancestral destiny.
Venezuela, the mid-nineteenth century. The polarization between liberals and conservatives marked the political agenda. Inequalities of colonial society kept farmers and slaves under the yoke of the oligarchy. Ezequiel Zamora mobilized by deep ideals of liberty is leading a fight to try to erase social inequalities and distribute land equitably.
This is the story of two teenage women affected by violence and the painful journey to become full and liberated. One, Maruja is a young rape victim. The other Carmen Luisa is beaten by violence within her own family.
Humberto (Vicente Tepedino) and Gladys (Irina Rodríguez) are celebrating their recent marriage when a dark mystery begins to haunt their happiness. Their brand-new, hard-earned car seems to have a life of its own. What they initially thought was a mechanical malfunction soon reveals itself to be something much more sinister: the vehicle is under a curse. With every unexpected turn and uncontrolled acceleration, their lives are engulfed in a wave of confusion and terror. The spell behind the car stems from the revenge of a woman with a past intertwined with Humberto's. As the vehicle inexplicably changes owners, new drivers are drawn into this madcap chase. The influence of the haunted car unleashes a chain of entanglements and unusual problems that seem unresolved.
Fidel, a deaf mugger, sees the possibility of a new life after he start attending to a school for the deaf. However his chances are getting shorter as the a police officer is after his trail.
Trino, Nerio, and Alfonso are poor chamber musicians trying to survive by playing wherever they can. During a general's funeral, the musicians try to play funeral music, but the screams of one of them, who thinks he's seen the deceased's hand move, cause such a commotion that the participants run away in terror.
