Known for Acting
The landowner couple Von Rambow are experiencing significant financial difficulties and are therefore forced to leave their residence and their happy life in Copenhagen. Instead, they must settle for the more down-to-earth life of farmers. The young maiden Marie Møller is deeply in love with Von Rambow's cousin Count Frantz, but he prefers the estate inspector's beautiful Louise. The unfortunate Triddelfitz, on the other hand, is madly in love with Marie Møller, which leads to many complications before all the pieces of the puzzle of love fall into place.
At a convent school for young girls, no one must know that the organist Celestin is the same person as the operetta composer Floridor. But in the long run, it cannot be hidden. His bright student Charlotte has been chosen as the bride of a man she has never met – but during a trip to Copenhagen, where Celestin is supposed to protect Charlotte from the temptations of the city, he takes her to the theatre where his operetta is to premiere. And that is where Celestin's problems really begin.
The young, hard-working, and extremely attractive Eva Brun works as secretary to Director Jansen. But when her boss becomes a little too fond of Eva's "work," she quits. Tired of men and tired of lecherous male bosses, she devises a cunning plan. She wants to get married and divorced as quickly as possible so she can live off alimony. And Eva chooses shipowner's son Hans P. Larsen as her victim. But Hans has his own agenda. And soon the two begin a cunning game, the outcome of which only Cupid's arrows know.
A sort of forerunner to Hollywood's Boogie Nights (1997), this Danish melodrama is set in the world of strip clubs. A medical student (Frits Helmuth) earns money for tuition working in a burlesque joint. He falls for one of the girls (Malene Schwarz), but she is also involved with a movie director (John Price). The director and Helmuth get into a philosophical debate about love and Darwinism, and the film ends with a duel (the film's title). Duellen was met with mostly incomprehension when it premiered and is no more lucid when viewed today. The striptease scene featuring full-frontal nudity is tame by modern standards.
It is the war year of 1658, and the winter in February is so harsh that the belts are frozen. The Swedish King Charles X Gustav, who has arrived in Germany, is now staying in Jutland. He and his army can cross the straits and continue on toward Copenhagen. Svend Gønge is given a particularly difficult task by Frederick III: 50,000 rigsdaler belonging to the king must be brought from Vordingborg Church to Copenhagen.
Eva comes to visit the ship, and when the alarm is raised and they are facing the sea, she hides in a cabin. This leads to various complications, not least because the admiral later come aboard.
He is very happy – and proud! For he believes that he is a great, great hunter who brings home his beautiful prey, Eva. But she knows better, and so do her three sisters, who show up for the wedding, for girls naturally know everything there is to know about women's wiles and love. With a totally confused but sympathetic smile for the three unhappy women he did not get, he flees with his young bride. In return, the three amuse themselves by telling each other the true story—how things really went with the young couple—and the winding paths he took to reach his wedding. For it has always been the prey that has hunted the hunter, and – without him ever suspecting it – he has been more of a plaything than a Don Juan. What the girls "confess" to each other is not boring—it is a comedy—which, admittedly, is not about "that's how women are"! At most, it is about how women are like that too!
During a train journey, Carolus, master of literature, meets the charming Italian Enrico. The two men discuss eroticism, and it ends with a bet: In a few days in Copenhagen, Enrico will seduce four women. Coincidentally - and unfortunately, Carolus' wife is the first Enrico to date.
The Danish Ingen tid til Kaertegn (Be Dear to Me) is heavily reliant on the appeal of its star, 8-year-old Eva Cohn. Our heroine is the neglected child of a businessman father and actress mother. Feeling that happiness lies well outside her own backyard, Eva goes on a search for that happiness. The longer she stays away, the more her parents realize that they've unfairly ignored her. The plot is nothing new: it's what is done with it that pleases the eye and ear. Ingen tid til Kaertegn was one of the more popular entries in the 1957 Berlin Film Festival.
Lis Holst desperately wants to become an actress. After failing an audition at a theater, she decides to resort to other, more drastic measures. When the director and the theater's writer go to the countryside, Lis goes with them. There, she performs a masterpiece of disguise. When the truth dawns on the theater director and the writer, they decide to take advantage of Lis, as the theater's prima donna has taken up residence. Lis is promised a leading role in the next performance, but then the prima donna recovers and wants her role back.
A film director sends his director and two screenwriters out into the city to find out what a film should contain in order for the person in question to want to see it. This results in many different episodes. The film includes the famous scene where Dirch Passer and Kjeld Petersen wallpaper a room.
Among the many guests at the Rebild festival is Andreas Andersen, a man in his early 30s. But he has not come to Denmark to attend the big festival. Seventeen years ago, he was a poor farmhand at "Hovgården," but he fled the country because the farmer's wife, the authoritative Martha Larsen, accused him of a theft that was actually committed by her son, Henrik. Andreas came to America and led a turbulent life here before becoming a farmer and earning a lot of money.
