Known for Costume & Make-Up
Twelve-year-old Jana returns from the hospital. She notices some changes at home and is worried that her parents are going to divorce. In reality, however, they are expecting another child.
Mr. Benda, a married father of two children, works for a company that liquidates old banknotes. After one drunken party, he is visited by a painter who tattooed his back in drunkenness the previous night. The image tattooed on Benda’s back is considered the painter’s best work by the professionals.
Eight-year old Dominique has a name-day. Her parents have a gift for her, but only give it to her in the evening, when everybody has come home from work. Then she darts out, where her girlfriends are already waiting for her.
The protagonist (Rudolf Hrusinsky) is a dull, fat, shy government clerk indulging in voyuerism and ego fantasies. In love with another clerk (Kveta Fiolova), he is urged on in his pursuit by a commiserate executive. The story is told in a flashback sequence as the cuckolded Hrusinsky attempts suicide by gassing himself in his bathtub. The "Murder" of the title is not a murder as such, rather the murder that Hrusinsky remembers planning upon discovering his wife's unfaithfulness with his supposed friend and advisor. Both plots failing in his mind, he loses himself in fantastic reveries of his funeral and of hypocritical mourners. ' Deciding (perhaps) that this is not the way out either, he gives up the attempt and imagines a life of reconciliation and eventual affluence.
At a village railway station in occupied Czechoslovakia, a bumbling dispatcher’s apprentice longs to liberate himself from his virginity. Oblivious to the war and the resistance that surrounds him, this young man embarks on a journey of sexual awakening and self-discovery, encountering a universe of frustration, eroticism, and adventure within his sleepy backwater depot.
The series of children's films about Detective Martin, who intervenes in cases involving children, begins with this film. It consists of two short stories: in the first ("Three Bottles"), the young hero, escaping from an orphanage, gets involved in a robbery of postage stamps..., in the second ("Flying Carousel"), the children fight a dishonest owner of fairground rides...
A man boards on a tram together with a naked boy. Somebody has stolen the boy's clothes when he was out bathing, leaving him with not even change for the tram. The man has taken care of him and is taking him home. At first nobody notices them but as soon as the people realize they are seeing something out of the ordinary they begin to react to the situation. Some are content with the simple explanation as to why the boy is naked. Others are agitated, for they see the whole situation as something unseemly. An ordinary incident, which might have been passed over in silence, results in a heated argument that turns into a fight. More and more people join in the fight until the police are forced to intervene.
The story of a trio of released criminals that even prison re-education did not reform. They intend to "bankrupt" a farming cooperative, but soon discover that they must first deal with the local thieves. Not surprisingly, therefore, they end up championing the right cause and make the commons flourish...
The story of a boy who finds himself in hospital.
African student Omar would like to return home to Angola, but he is enrolled in a three-year postgraduate research fellowship at a clinic in Prague. One day while seeing off a friend at the airport, he and a girl named Mariama are brought together by chance as he offers to accompany her in an unfamiliar city toward the International Student Club, where she plays bass in a jazz orchestra.
We learn that the greatest virtue of socialist competition is collective cooperation. This is what the young, physically fit assembler refuses to understand. He suspects his co-workers of overlooking his merits out of jealousy. And it takes him a long time to understand that the individual alone can do nothing, that only the collective has the necessary strength - and therefore the truth.