Known for Acting
A primary school teacher with an inferiority complex about her weight, a bank clerk who suddenly develops a strange rash around her eyes, an aging owner of a 24-hour deli in an unhappy marriage, a lonely man living in the woods and strangers' cottages. They can continue to survive with their problems, hide them, and not deal with them. Or they can fight it and, at the cost of scars and wounds, improve their lives.
"Power is sweetest when it is completely disproportionate – when a fool rules over the wise..." Kundera's play reveals in a farcical, even sarcastic way what drives people. For some, the most important thing is to submit and have peace of mind, while others need power over others to live. Milan Kundera says of his comedy Ptákovina that "it is a comedy so frivolous that it is more than a comedy: it is nonsense." Its intricate plot is set in motion by the Director, who draws a rhombus on the blackboard in the classroom. And it is discovered. An investigation ensues, and the all-powerful man of the city, the Chairman, also enters the game. This myth-shrouded comedy was only performed briefly in our country in 1969, and since then no one has officially seen it here. Until September 2008, when director Ladislav Smoček staged it at the Činoherní klub in Prague.
A TV adaptation of the famous novel in which writer Zikmund Winter depicts the life story of Prague university professor and humanist poet Jan Campanus Vodňanský and his efforts to save the ancient university after the Battle of White Mountain. Campanus gradually loses all his battles. The path of concessions leads to unintentional but tragic guilt when, at Campanus's unwitting instigation, the Jesuits seize the child of the executed Jesenius. The difficult post-White Mountain period in the Czech lands presented Campanus with a dilemma: whether to convert or to keep a clear conscience, a conflict of power and honor so common in our history...
Against the petty, which places its own glory above honest work and honest human relationships. Čapek's Foltýn is from the family of eternally recurring dramatic themes about the conflict between talent and untalent, soundness and dilettancy, vocation and parasitism, of all kinds.
Little Rehor isn't allowed to play with the other boys. His only friend is the girl next door, Luci. Rehor's father is doctor on a boat and he has sent Rehor a package with butterfly larvae. When they hatch he discover a fairy who can do magic tricks.
Two little girls get ahold of magic and hijinks ensue.
The theatre director encounters the disinterest and irresponsibility of the acting troupe, whose members are scheming and looking for side income. The tired and sick artist wants to finish his work at any cost.
František Cepl is a young man from a simple family. He graduated from a real school and was going to study technology. When the occupation came, he had to work as a factory assistant. There he meets an older man named Telec, whom everyone knows as Hrabě. He impresses František with his ostentatious disdain for work and his shameless flirtation with women. František, whom the Count calls Papilio (butterfly butterfly), is filled with youthful ideals, while the Count, on the other hand, is an extract of the crudest individualism. He has worked his way up from a student at a business academy and a theatre actor to a member of a pre-war gallery. He blackmails, steals, drinks, abuses women and, in a way, Papilio himself.
