Known for Acting
The elderly Stoyan has advanced dementia and his daughter Iliana decides to organize a trip for him, in which Stoyan can see his sister and other relatives, her son Vesko can create precious memories with his grandfather, and she can spend her last days with what little is left of her father, who will soon know no one.
Nasko is left at his grandma Fany's for the summer. He teams up with the neighbourhood kids against their scary neighbour with a scar on his face, which ends up involving everyone in an uncomfortable situation.
Vassil (41) is a documentary film director who has not achieved the success he dreams of. He puts all his energy filming the broken relationship between a monk and his mother. Meanwhile Vassil's wife and their 14-year-old daughter take second place in his life. The director learns that the monk is in a psychiatry while his mother will have to undergo a cancer surgery. To bring them together to forgive each other is Vassil's long awaited finale of his film. He faces a dilemma to shoot "life as it is" or show human compassion and empathy.
While hunting a cultured and vicious psychopath, detective Amaldi faces the physical and moral decay of his city as well as the ghosts of his past.
This is a true story about forty Jewish children on their way to Palestine, who were blocked by the German and Italian occupation of Yugoslavia in 1941. Before finding a haven at Villa Emma in Nonantola in northern Italy, where they arrived on June 17, 1942, the children spent several adventurous months in Slovenia, caught up in the ongoing fight between the partisans and the Italian army. In April 1943, another 33 children, some from the Balkans, others from France, joined the original group. All were orphans who had lost their parents in concentration camps and had subsequently been smuggled out of Germany by Recha Freier, a well-known Zionist. The group ranged in age from six to twenty one and settled in at Villa Emma with their chaperones and teachers, Josef Indig, Marco Schoky and the pianist Boris Jochverdson.
The year is 1995. The Diamandie family lives in a Danube town.
A teenage girl's rebellion through drugs becomes a metaphor for the struggle between individuality and totalitarianism. Amidst the political upheaval of 1968, Sybilla (the "Countess") is sent to a girls' re-education camp when she is caught using drugs. After a failed affair and an abortion, Sybilla's drug use lands her in a mental clinic where she resists efforts to remold her personality. Based on a true story.
Two eternal opposing theses - play is our life or life is our play - are the base of music, dance and verse which fit together in this film.
Gynecology clinic in Sofia, Bulgaria. On one of the floors several women are waiting for their turn to get an abortion. And on the other floor, four older women struggle to preserve the life they carry. Toni must decide whether to give birth to a child who will not have a father.
A middle-aged man makes every effort to provide for more or less decent life for his family. He is a driver who carries vegetables and fruits. He spends reasonable to save for his family and especially for his kid. Everything is all right until the day when the boy finds out that the part of the money have been made in indecent way. This revelation provokes a serious conflict in the family and the boy deserts his home. The man makes an attempt to put an end to his shady deals, but it turns out to be impossible. His 'employers' display exorbitant aggressiveness.
Three colleagues and devoted friends – Danton, Petar and Andrey – share an office, and not only, on the fifth floor of a socialist industrial research institute from the mid-eighties. Every morning when they come to work they lock the door of the office and, armed with binoculars and great interest, they begin watching the aerobics exercises of a young girl in the nearby building. Suddenly, their tranquil daily round is disturbed - a new director takes over the Institute and decides to develop close scientific partnerships with similar institutes in Japan.
