Known for Acting
When an undercover cop is tasked with investigating a historic gold heist in Johannesburg, he’s forced to choose between his conscience and the law.
Set in South Africa's rural Great-Karoo region in the 1950s, this epic existential-adventure film chronicles the exploits of the outlaw John Kepe and the various individuals his escapades affected. This Robin-Hoodesque figure would steal primarily livestock from the white settler farmers, terrorizing them for over a decade. Led by the hardliner General Botha, a mammoth manhunt ensues in the very mountain where Kepe was rumored to occupy a Noah's Ark like cave. This spectacle ingratiated Kepe in the hearts of the marginalized indigenous-population, who turn Kepe's miscreant deeds into the stuff of legend, making him a threat to the very fabric of the colonial society. Sew the Winter to my Skin is a thrilling, operatic ride into the heart of Pre-Apartheid South Africa and is a visceral exploration of the effects of the colonial displacement that sewed the seeds for one of the most viciously racist, political regimes in history.
As Spud Milton continues his awkward stagger through adolescence, he learns one of life's most important lessons: When dealing with women and cretins, nothing is ever quite as it seems. "I'm practically a man in most areas," writes Spud confidently on his sixteenth birthday. The year is 1992 and, in South Africa, radical change is in the air. The country may be on the bumpy road to an uncertain future, but Spud Milton is hoping for a smooth ride as he returns to boarding school as a senior. Instead, he discovers that his vindictive arch enemy is back to taunt him and that a garrulous Malawian has taken residence in his dormitory, along with the regular inmates and misfits he calls friends. Spud's world has never seemed less certain; he attempts to master Shakespeare, wrestles constantly with his God, and the power of negative thinking, and develops an aversion to fried fish after a shocking discovery about his grandmother, Wombat.
The year is 1991, and Spud Milton's long walk to manhood is still creeping along at an unnervingly slow pace. Approaching the ripe old age of fifteen and still no signs of the much anticipated ball-drop, Spud is coming to terms with the fact that he may well be a freak of nature. With a mother hell-bent on emigrating, a father making a killing out of selling homemade moonshine, and a demented grandmother called Wombat, the new year seems to offer little except extreme embarrassment and more mortifying Milton madness. But Spud is returning to a boarding school where he is no longer the youngest or the smallest. His dormitory mates, known as the Crazy Eight, have an unusual new member and his house has a new clutch of first years (the Normal Seven). If Spud thinks his second year will be a breeze, however, he is seriously mistaken.
A 10-year-old South African orphan leaves his Zulu village to make his own life in the city... only to find no one will help him, except a formidable Indian woman.
It's South Africa 1990. Two major events are about to happen: The release of Nelson Mandela and, more importantly, it's Spud Milton's first year at an elite boys only private boarding school. John Milton is a boy from an ordinary background who wins a scholarship to a private school in Kwazulu-Natal, South Africa. Surrounded by boys with nicknames like Gecko, Rambo, Rain Man and Mad Dog, Spud has his hands full trying to adapt to his new home. Along the way Spud takes his first tentative steps along the path to manhood. (The path it seems could be a rather long road). Spud is an only child. He is cursed with parents from well beyond the lunatic fringe and a senile granny. His dad is a fervent anti-communist who is paranoid that the family domestic worker is running a shebeen from her room at the back of the family home. His mom is a free spirit and a teenager's worst nightmare, whether it's shopping for Spud's underwear in the local supermarket
Home Affairs is a South African television drama series created and produced by Roberta Durrant. It tells the story of nine very different women whose lives are interconnected. The women's stories reflect the wide cultural range of South African women. The women each undertake a journey of self-discovery, connecting with each other in various and random ways.
