Known for Acting
Pessoa famously published under many heteronyms: around 75 different names, each with fully fleshed-out backgrounds, styles, appearances and philosophies. Taking this a step further, Não Sou Nada gives flesh to these characters, all working together under Pessoa, enacted by Miguel Borges, at the publishing house The Nothingness Club.
On a foggy night, a blonde woman unexpectedly haunts the path of two young men in a suburban park.
Organized like a dream, structured like a musical and with texts, both spoken and sung, that lead us to unexpected, chaotic and exciting situations, which try to grasp part of what the unattainable Alexandre O'Neill left us.
During a night of humiliation, Raymond lives an inner revolt and a kaleidoscopic journey in a country that is about to collapse.
Dalila and Virgínia, mother and daughter, meet each other somewhere isolated and discuss their relationship – and the restlessness Dalila feels because of her mother’s controlling demeanor. Will Dalila finally act and try to break free?
This is the story of a young Mozambican footballer called Eusébio, a gifted athlete destined to great achievements, coveted by rival clubs, Sporting and Benfica, which ends up hiring him. Blackmail, kidnapping attempts, ministers involved, press hysteria and huge money offers make the story of this football transfer into a saga evolving between the two continents. It ends up when the legend begins: with Eusébio’s first match at the Benfica Stadium.
A dramatic comedy told from the point of view of high school students, and their parents and teachers, about one of the most striking moments of Portuguese democracy: the presidential elections and the dispute between Freitas do Amaral and Mário Soares.
