Jitka Zelenohorská

Škoda lásky

Larks on a String

In post-WWII Communist Czechoslovakia, several characters considered bourgeois are sentenced to work in a junkyard for rehabilitation. Among them is a young man who pines for a female convict.

Třetí patro

Podfuk

Lying in the construction industry used to be a criminal offence, but skilful people could do a lot of things. This somewhat embarrassing tragicomedy convinces us that even builders should be honest. The protagonist here is a moral designer who occasionally drops in to sing to enjoy something other than work.

Podivná přátelství herce Jesenia

Dramatic fates of people hidden behind a theatrical mask.

Ants Bring Death

The biggest threat to a successful crackdown on drug traffickers and consumers is the international hitman Barták, sent to the Czech Republic to eliminate all his collaborators...

Winning Quietly

Comedy about a group of village boys and in one selfless father who wants his players to do the real football.

Hledám dům holubí

A boyish dispute over drums full of scared pigeons.

Hubert the Smart Boy

Hubert Hrabe, known as Smart Boy, is a Prague dandy who is always skirting the edge of the law. Like every likable rogue, he has a worthy adversary - Police Inspector Mourek, who has long been trying in vain to put him behind bars. However, this defender of justice, who is constantly trying to outsmart his "own" criminal, ends up becoming the victim of his own zeal while hunting forgers that are as good as any in Europe, as Hubert the Smart Boy, sets a trap for Mourek

Angolský deník lékařky

The true story of a group of Czechoslovak citizens who are building a paper industry in Alto Catumbela, Angola, as part of economic development aid. Based on a true story, the film describes the raid on the settlement, the kidnapping by UNITA gunmen, the hardships of the devastating march and the mental and physical exhaustion resulting from the situation.

Stopy zločinu

Kouzelníkův návrat

Although the title would suggest it, this film has nothing to do with fairy tales at all: it takes place in the North Moravian border region just after the end of the Second War. It presents a fragmented mosaic of the fates of many people, returnees and immigrants, who tried to start a new life and believed in a happier tomorrow. Although the director Antonín Kachlík tried to give the story a certain credibility, he submits to the ideological demands of the 1980s. North Moravian borderlands in the first post-war year: a disparate and fragmented sequence of episodes depicts the individual fates of returnees and new immigrants. Another title that perhaps did not even need to be created.