Known for Acting
Filmmaker Peter Brosnan digs up the set of the 1923 film 'The Ten Commandments', long buried in the sands of California's Central Coast.
An out-of-work pants presser starts an umbrella business and makes a fortune. His daughter is set to marry the nephew of a rich neighbor until the nephew is accused of stealing money from his uncle--but the money was really stolen by the rich man's son.
Alcoholic playboy Wallace MacDonald (as Bruce Armstrong) would like to sober up and become more responsible, after a drinking accident causes him to cripple little brother Pat Moore (as Jimmy Armstrong). Still, the lure of liquor makes him to sneak drinks at home, and go out partying with carefree showgirl Clara Bow (as Marilyn Merrill). He's promised Ms. Bow he'll quit drinking and gambling. Further complicating Mr. MacDonald's life are the bad checks he's been accumulating. Nasty Stuart Holmes (as Tom Canfield) and Tom Santschi (as "Big Joe" Snead) force MacDonald to join their diamond smuggling racket, in lieu of payment.
Ignoring the advice of her husband, a mother indulges her son's every wish and demand all throughout his childhood. By the time she realizes her treatment of her son has spoiled him almost beyond belief, he is on trial for manslaughter.
The Lover of Camille was a 1924 American silent romantic drama film directed by Harry Beaumont, and starring Monte Blue. The film was based on the French novel Deburau by Sacha Guitry, which was also adapted into a Broadway play by Harley Granville-Barker.
The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy of the commandments in modern life through a story set in San Francisco. Two brothers, rivals for the love of Mary, also come into conflict when John discovers Dan used shoddy materials to construct a cathedral.
Former playboy Victor Olney becomes jealous of his wife's love soon after he and Constance are married. He is especially hostile toward Clint Mowbray, a former suitor. When Mowbray implies that there was an affair between Olney and a dancer who was injured at Olney's bachelor party, Constance leaves her husband to nurse the girl back to health. Olney's mother-in-law convinces him that Constance was not unfaithful. They are reconciled when Olney goes to Constance and it is ascertained that there was nothing between him and the dancer.
A young man raised in the American South discovers he is an Indian prince whose throne was taken by usurpers.
(survived only 10 minutes) As young men, the squire (Marshall) and the village blacksmith (Walling) are in love with the same woman (Boardman), whom the blacksmith marries. This angers the squire. Years later, the squire's son Anson (Yearsley) dares the blacksmith's son Johnnie (Hackathorne) to climb a tree, from which he falls and is crippled. As adults, Anson and the blacksmith's daughter Alice (Valli) fall in love, which angers the blacksmith, who chastises his daughter. The blacksmith's other son Bill (Butler) returns from college and is injured in a train accident. Anson steals $480 from a church fund which is currently in Alice's possession. Alice is struck by lightning. The blacksmith take Anson and the squire to church where they both repent.
Lance Bellew ignores his wife, Betty, for his mistress, Naomi Templeton, but becomes so enraged when he finds Betty in the company of Jerry Woodruff that he shoots this family friend. A lost film.
Society girl Constance Bailey becomes a schoolteacher in New York's Lower East Side, telling her fiancé, Bruce Van Griff, that she is sailing to Europe.
Hilda lives in a tenement apartment with her aunt, Mrs. Brady, and her crippled younger brother Micky, and works in a department store where her boss lusts after her. But happiness comes into her life when she meets artist Emery Gray. Gray's wife deserted him long ago, leaving him with their daughter Susan (Mary Jane Irving) to raise. While Susan and Micky become playmates, Hilda restores Gray's faith in womanhood.
