Known for Acting
Roy and Bo leave their small town the weekend after graduation for a short road trip to LA. Soon, they find themselves lashing out and leaving a trail of bodies behind them. The violence escalates throughout.
A lad finds himself magically sent back to ancient Egypt where he and the young King Tut team up to stop their evil and overly ambitious elders.
Princess Farah refuses to marry Sinbad until Prince Kassim, her brother, is able to give his consent. However, the Prince's wicked stepmother, Queen Zenobia, has changed Kassim into a baboon in order to have her own son crowned as caliph. Sinbad, his crew, the Princess and the transformed Prince travel to a distant land, fighting every obstacle Zenobia places in their path, to seek the advice of a legendary wise man who can possibly tell how to end the spell.
Lady Booby alias 'Belle', the lively wife of the fat landed squire Sir Thomas Booby, has a lusty eye on the attractive, intelligent villager Joseph Andrews, a Latin pupil and protégé of parson Adams, and makes him their footman. Joseph's heart belongs to a country girl, foundling Fanny Goodwill, but his masters take him on a fashionable trip to Bath, where the spoiled society comes mainly to see and be seen, but drowns in the famous Roman baths. When the all but grieving lady finds Joseph's Christian virtue and true love resist her lusting passes just as well as the many ladies who fancy her footman, she fires the boy. He's found and nursed by an innkeeper's maid, which stirs lusts there, again besides his honorable conduct, but is found by the good parson.
Sinbad and his crew intercept a homunculus carrying a golden tablet. Koura, the creator of the homunculus and practitioner of evil magic, wants the tablet back and pursues Sinbad. Meanwhile, Sinbad meets the Vizier who has another part of the interlocking golden map, and they mount a quest across the seas to solve the riddle of the map.
Following his forced retirement from an appalling rock band, Jason decides to vacation at Brittlehouse Manor, a health farm run by the leather-gloved, ex-Nazi scientist Dr. Storm. Along the way, Jason meets Judy, also on her way to Brittlehouse Manor to visit her aunt, who married Dr. Storm some years ago. Once they arrive, the pair realise rather quickly that something is wrong, probably because the other guests have had their brains surgically removed, or all the blood pouring from the sink, or possibly just because the creepy midget keeps telling them to brush their teeth.
Based on the medieval legend of Pope Joan, who was made Pope for a brief period around 855 A.D. The movie presents her existence as fact, though it is questionable that Pope Joan really did exist, and portrays her relationships with other notables of the time.
The Onedin Line is a BBC television drama series which ran from 1971 to 1980. The series was created by Cyril Abraham. The series is set in Liverpool from 1860 to 1886 and deals with the rise of a shipping line, the Onedin Line, named after its owner James Onedin. Around this central theme are the lives of his family, most notably his brother and partner, shop owner Robert, and his sister Elizabeth, giving insight into the lifestyle and customs at the time, not only at sea, but also ashore. The series also illustrates some of the changes in business and shipping, such as from wooden to steel ships and from sailing ships to steam ships. It shows the role that ships played in affairs like international politics, uprisings and the slave trade.
People in a small German village in the last valley to remain untouched by the devastating Thirty Years' War try to exist in peace with a group of soldiers occupying the valley.
An art student encounters a mysterious girl at a psychedelic party. She insists he give her a ride home on his motorbike, when something very strange occurs.
A reformed drug addict travels to Italy to find out who murdered his aunt.
An idealistic colonial police officer is sent to capture a rebel leader who threatens the stability of the Raj's north-west frontier. Despite his official colonial capacity, the policeman is impressed by the ingenuity and integrity of his enemy and is determined to arrest him alive rather than bring him in dead as his superiors might wish.
