An Zéro

Asa

A short animation by Haruka Suzuki based on the poem "Asa" by Ikuko Shirakuma

Retando A La Muerte

With a Right to Kill

This documentary looks at the Danish resistance movement's execution of 400 informers during the Nazi occupation and the ensuing cover-up.

Phosphor

Returning wounded from the war Maksym was overcome by self-doubt, in his physiological state. He is undergoing rehabilitation. He loses contact with his wife. He is tormented by dreams. In one of his dreams Maksym goes to the island to catch a lot of fish, as the paramedic advised him. Maksym takes a boat, net, dynamite from the best man and sails to the island.

a

Photographs by my father Giacomo Mazzola and a video depicting Sironi’s painting Mountains: a gesture of remembrance in three chapters.

Kill Bill Parody

A woman and her child are kidnapped by her lover and plans revenge on him.

HGTV: My House Goes Disney

TV Special converting a Disney fan's house into their dream home.

Six: Inside

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

For freedom and justice

A picture of the life of the Danish people from the late 1820s to the introduction of the free constitution in 1849. A fictional character, Rasmus Nielsen, travels around the country, first as a traveling teacher, later in other positions, and through his experiences we are introduced to the conditions of various population groups. The central figure in the portrayal of historical figures is the politician Orla Lehmann.

Hello

Call-center workers receive a phone call from God.

Jean Painlevé Through His Films

This documentary about the life and work of filmmaker Jean Painlevé was originally presented in eight parts on French television. It was edited to remove duplicated material from its original length of 240 minutes.

Triumph Over Violence

Romm's "Ordinary Fascism" pulls out all the stops in its selection of documentary material to draw the viewer not only into absolute horror about fascism and nazism in the 1920s–1940s Europe, but also to a firmest of convictions that nothing of the sort should be allowed to happen again anywhere in the world.